Get to know
the Project Butterfly

Opera is undeniably a great instance of European cultural history and the only cultural heritage that has united audiences across Europe while maintaining its linguistic diversity. Being born in the tradition of allegorical celebrations and the European courts’ Baroque extravaganza, environmental sustainability was not among the priority of a performing art genre that sometimes happened to build an entire theatre for a single performance. Opera houses around the globe have been transforming into modern and technological machineries ever since, combining beauty, efficiency and tradition. Today they are taking the next step to become increasingly sustainable for the environment and even to convey to the public the awareness needed to live well and save our planet.

Butterfly: Boosting environmental awareness in opera creation aims to create a new attitude towards sustainability in theatre and opera houses by exploring new green practices related to opera production and circulation. To do so, the project will go through the entire process of opera co-creation and co-production of a sustainable opera – from the opera commission to the public attendance and the sharing of the sustainable practices experimented, with a particular focus on engaging young audiences throughout the whole process. 

The opera created within Butterfly will combine three acts of thirty minutes each (one for each country), made up of three stories dedicated to an environmental theme: water, earth and air. The co-production will involve three composers (and librettists) from the project’s three partner opera houses. 

The conception of the work and the opera’s libretto will begin with a co-creation phase implemented by high school students in three partners’ countries – Italy, Poland and Finland – through a cycle of webinars. It will be followed by an International Call for Composers to select the three authors who will write music for the stories created by the students in the previous stage. Then, the selected composers and lyricists of the play will work hand-in-hand with the creative team and the artistic directors of the project within two artistic residencies in Italy and Poland. Finally, after two years of work, the project will culminate, in May 2025, in the premiere of the newly created opera in the partner theatres and online. The final production will strongly rely on advanced digital technologies and showcase the pathways for a more sustainable opera production.

In parallel, workshops about the co-creation and co-production of sustainable opera and theatres, including sharing the green practices experimented with and applied throughout the whole process, will be diffused thanks to new technologies (AR,VR). The project will be closed with a Final Event in Belgium. The key outputs and outcomes will be presented and discussed in a panel gathering all project representatives, researchers, along with selected stakeholders and experts.

 

Sustainable opera

to promote circular economy in performing arts

Co-creation

students and professionals will collaborate together to develop and produce the sustainable opera performance

Innovation

rethinking opera through visual technologies such as VR and AR

March 2023

Kick Off event

Two immersive days in which the partners met and planned their next steps in the beautiful halls of the Teatro Comunale Luciano Pavarotti in Modena .

Kick Off event

June - September 2023

Call for composers is out

The call for composers is now out. Check it here.

September - December 2023

Sustainability and Opera Workshops in Schools

Sustainability and Opera Workshops in Schools

May 2024

First residency

The first residency with the students and composers will be held in Gdansk, Poland, by Opera Baltycka.

First residency

October 2024

Second residency

The residency will take place in Modena and will be dedicated to the final preparations for the Opera production.

Second residency

April and May 2025

Performances

The audience will get a chance to assist at the incredible performances of the Opera produced by the Butterfly project, in the three cities involved in the project: Modena, Helsinki and Gdansk.

Performances

February/March 2026

Final event

A final conference in Brussels will be the conclusion of the Butterfly project and a great occasion to share the project results with the project’s stakeholders and wider audience.

Final event

Meet our Team

Project Butterfly implemented by a Consortium led by Teatro Comunale di Modena, one of the leading opera houses among the Italian “Teatri di Tradizione”. The Consortium is joined by two other opera theatres – Opera BOX from Finland and the Baltic Opera in Gdańsk (Poland). The non-profit association AESS from Italy will bring its expertise in sustainable practices, while Heimspiel, the agency for digital storytelling formats from Augsburg (Germany), will lead the audiovisual production part of the project. CUMEDIAE, a Brussels-based international non-profit agency providing consultancy services in the field of CCIs European-wide, will ensure the project’s communication, engagement with stakeholders and allow for its widest dissemination.

Built in 1841, the Teatro Comunale di Modena has since been one of the leading opera houses among the Italian “Teatri di Tradizione”. From the second half of the Twentieth Century it presents Dance and Concertseasons, from classical to contemporary styles, inviting companies and musicians from all over the world.The theatre produces many of its own opera shows, all of them in co-production with other theatres, mainly from the Region.
Opera BOX is a small opera house for everyone. It’s driven by the determination to develop the art of opera through new commissions and unexpected productions and work in the old Finnish national opera, Alexander Theatre in Helsinki. It performs mainly in Finnish and Swedish, enabling them to come closer to the audience and the story being told and to create new perspectives.
The Baltic Opera in Gdańsk (Poland) is a cultural institution co-managed by the Pomorskie Self-Government and the Ministry of Culture and National Heritage. The long-term artistic programming strategy of the Baltic Opera is based on presenting classical and contemporary masterpieces by world-renowned composers. The key areas of the house’s activity are opera, ballet and musical education. In 2022, the Baltic Opera organised over 650 events for nearly 50.000 viewers and participants.

AESS is a non-profit association of 163 Italian public authorities, it is member of the Energy Agencies Italian Network RENAEL and joins FEDARENE at European level. AESS main areas of activity are:

• promotion of renewable energy sources, energy efficiency and reduction of energy consumption amongLocalAuthorities, SMEs, schools and consumers;

• energy audits and buildings certification as accredited body, feasibility studies on energy refurbishment projects and develops projects on renewables, through its engineer staff;

• consultancy to every level of Local Authority concerning energy planning and its regulatory tools, public lighting renovation.

Heimspiel is a 10 year old agency for digital storytelling formats in Augsburg that incubate ideas, advise on budget and format selection; produce moving images, process complex content, are cooperative and offer diverse digital narrative formats. From 2 to 3D, from video to documentary,from games to animation, from virtual reality to 360 degrees. Its focus is authenticity, to build a real connection with the audience.
CUMEDIAE, is a Brussels-based international non-profit agency providing consultancy services in the field of Creative and Cultural Industries. It was founded under the direct influence of the UNESCO 2005 Convention on Cultural diversity objectives and guiding principles. CUMEDIAE’s activities can be diverse, with a common denominator: promoting support to international activities and communication in the creative sector, and connecting professionals and organisations engaged in the arts and creative sectors. Within the project Butterfly, the performance, communication and dissemination of the work in different European theatres and through digital channels will be supported by CUMEDIAE.

Associated partners

The Consortium is joined by associated partners: City of Modena (Italy), GARR (Italy), ARS Electronica (Austria), Kyiv National Academic Operetta Theatre (Ukraine).

Opera houses involved